You Rule!

Now that you have made friends with your pen, learning some lines will give you a place to start. “In the beginning” we talked about setting the stage. This preparation keeps you on track and secures your next direction. Writing is motion, so we want to know where we are going before we get there.

Set up is important, margins are important, and height of letters are important. White space around text teaches us allot about presentation. Determining the height of letters is like having a safety net, and paleographers have already done that work for us. We don’t have to make anything up we can rely on some rules, for instance, 15th century italic has a predominate x-height of 5 nib widths, from the base line to the waist line. This seems a good place to start.

Knowing your lines and marking your grid:

-Baseline- this is home base, the writing line, the line that all the letters sit on, a place you always return to in order to find your way, think of it as safe haven, we can depend on it, like we depend on the sun. It keeps us grounded.

-Waistline- this line is above the baseline, the space between the baseline and waistline changes according to the x-height of the letter (in this case 5 nib widths). The body of the lower case letters sit between waist and base. That means if you look across a line of writing you will  read between waist and base. Try it with any line of writing, cover the ascenders and descenders and see that you can read the words without ascenders or descenders.

-Ascending line- this is the line that all your ascending letters look for, except the letter t. This rule also applies to what you are reading right now. The lowercase t is it’s own height. The ascending line keeps your ascenders related to one another in terms of height. The ascending line is 5 nib widths from the waistline.

-Descending line- this is the line that all your descending letters gravitate to, the descending line is five nib widths from the base line. Some thought to the fact that the descending line, for the next line of text becomes the ascending line. This keeps your ascenders from running into your descenders. This is an important consideration for any envelope addressing or page layout.

-Capitals- well, they fit between the waistline and the ascending line. Once understood, the x-height being 7 nib widths, you will realize the study of the italic hand’s history shows the ascending letters are 2 nib widths higher than the capitals. Capitals throughout history are somewhere between 7 and 8 nib widths.

Before we actually make letters we need to rule up lines according to our nib width, and name our lines, so that we can know where we are going and how to get there.

Please see above a practice sheet, that shows a way of accessing all the concepts discussed, as well as checking in with our consistent nib (pen) angle to the writing line. Once we are comfortable with these safety nets, we are ready for letter forms.

Writing as movement:

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18 Responses to You Rule!

  1. John says:

    Great diagrams and explanation!

  2. Jay Sloatman says:

    Very cool well done – can’t wait to see more. Is this FREE?

  3. deborah powell says:

    Hey, Joyce. This is a great blog, getting the basics right–from the beginning!

  4. capets says:

    excellent article very helpful will visit again one day

  5. Xavi says:

    Just getting the hang of the fountain pen, and having a lovely (albeit messy) time with it.
    Thanks for all of the great info :)

    • admin says:

      How are you managing with that pen, hope lovely is outweighing messy by now?
      Hope you are making practice fun for yourself.
      Write away,joyce

  6. Vanessa says:

    Could you explain how to use your arm when writing? I’ve read that we’re not supposed to write “with our fingers” and we’re supposed to use our “shoulder girdle” to control our strokes.

    • admin says:

      Small writing , is fine for finger writing, when you write large it is more fluid to use your whole arm. Great practice to write in the air and then go to your page. Write away, joyce

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  11. utube says: Thanks for that awesome posting. It saved MUCH time :-)

  12. Ashley Rae says:

    great tutorial! What kind of pen are you using? That is exactly what I am looking for but do not know where to find or start looking for one.


    • admin says:

      Thank you for your interest in our blog,Ashley.
      The c series speedball nibs are Reasonable and reliable for starting out.
      The most popular fountain pen is the pilot pen, you can check out JohnNeal bookseller for supplies. Best in writing, joyce

  13. Tara says:

    Thank you, thank you for this blog!!
    I have been wanting to learn calligraphy for years, and finally have the time to do so but cannot find a [reasonably priced] teacher or workshop in my area! This is perfect.

    My main questions to get started are regarding the tools and equipment. Are there particular brands you would recommend? Should I just walk to my local art supply store and see what they have available? Which brands of pens, and which nibs are the easiest for beginners? I know you’ve said a fountain pen with nib is ok for practice, but I guess my brain is just wanting more specifics.

    Again, THANK YOU!

    • admin says:

      Thank you for your interest in calligraphy for beginners, Tara.
      T he newest rage in pens is the pilot fountain pen, comes in four nib sizes, medium range is good, costs about 10 dollars. An inexpensive way to start are the c series speedball nibs with a staff and a set of watercolors. You can feed the nib with a brush. Please let us know how you are progressing, we really like the questions. Good write. Jjoyce

  14. Found your article on yahoo, interesting read, thanks!

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